林境之華——呂美個(gè)展

The Blooming Realm——Aurelia Lu Solo Exhibition

出品Curator

榮祥廣場(chǎng)Pinnacle Plaza

策展Curator

MIX ART LAB

展覽支持Support

koko blommor、GAW

展覽地點(diǎn)Venue

北京市順義區(qū)空港街道馨園一路2號(hào)院榮祥廣場(chǎng)北廣場(chǎng)318

318,North Square , Pinnacle Plaza, Yard 2, Xinyuan 1st Road, Konggang Street, Shunyi District, Beijing City

展覽現(xiàn)場(chǎng) 圖片致謝：MIX ART LAB

林境之華

在當(dāng)代藝術(shù)的全球語(yǔ)境中，如何以自身文化的思想資源重建藝術(shù)語(yǔ)言體系，一直是藝術(shù)家需要持續(xù)面對(duì)的核心議題。常年往返中美兩國(guó)的藝術(shù)家Aurelia Lu（呂美）的本次個(gè)展《林境之華》就是針對(duì)這個(gè)議題的自我回應(yīng)。展覽通過(guò)展出Aurelia Lu近年創(chuàng)作的“天、地、人”三大系列作品，從符號(hào)、形態(tài)與哲學(xué)等方向探討藝術(shù)在跨文化語(yǔ)境中的生成與更新。

“林境之華”既是展覽主題，也是藝術(shù)家創(chuàng)作思想的象征性表達(dá)。“林”象征著生命的生發(fā)與自然秩序；“境”指向感知與精神的場(chǎng)域；“之華”則是能量顯現(xiàn)、精神綻放的象征?；跂|西方文化沖撞的呂美以此為結(jié)構(gòu)隱喻，將其“天、地、人”系列作品貫通為一個(gè)由形入神、由物達(dá)道的創(chuàng)作語(yǔ)境。

Aurelia Lu的“天”系列以圓、三角、曲線等符號(hào)，通過(guò)傳統(tǒng)水墨同材質(zhì)的滲透與綜合材料相疊合，營(yíng)造出一種流動(dòng)與秩序并存的空間張力。其作品的抽象不同于西方形式自律的理性，而是根植于其東方傳統(tǒng)“氣韻生動(dòng)”的觀念，遂使其作品成為Aurelia Lu觀念與感知的共融場(chǎng)域。而在她的“地”系列作品中，藝術(shù)家聚焦形質(zhì)與文明的積淀。金字塔、金山、竹簡(jiǎn)等意象在她的作品中轉(zhuǎn)譯為文化記憶的象征。通過(guò)含蓄的方式將圖形意向轉(zhuǎn)化為精神能量的象征，繼而成為其文化記憶與形式語(yǔ)言的交匯。她的“人”系列則在“天”與“地”之間建立精神中介，通過(guò)柔化的色層與隱約的形體暗示“靈”的存在方式，用佛像殘影、符號(hào)碎片與龍鳳等意象的融入，使“人”系列作品成為她創(chuàng)作語(yǔ)義的匯聚點(diǎn)。

Aurelia Lu的創(chuàng)作整體上呈現(xiàn)出一種基于其常年往返中美兩地受東西方文化沖擊下的特殊背景的跨文化藝術(shù)方法——以東方哲思為根基，以西方現(xiàn)代主義的結(jié)構(gòu)理性與材料實(shí)驗(yàn)為形式，在抽象結(jié)構(gòu)中追尋精神秩序的可見(jiàn)化，通過(guò)復(fù)合媒介的層積結(jié)構(gòu)，利用圖像符號(hào)在顯與隱、物質(zhì)與精神之間轉(zhuǎn)換，使觀者的凝視成為意義生成的過(guò)程。

正如梅洛-龐蒂所言：“可見(jiàn)之物并非對(duì)象，而是世界在我們之中的顯現(xiàn)?！?，Aurelia Lu的作品是這種顯現(xiàn)的視覺(jué)形態(tài)——在“林境”中生發(fā)，在“之華”中綻放，構(gòu)成一個(gè)從物質(zhì)到精神、從形式到意識(shí)的完整循環(huán)。由此成為一個(gè)關(guān)于“藝術(shù)如何生成”的思想模型，以視覺(jué)方式重述“天、地、人”三才共生的當(dāng)代表達(dá)。

藝術(shù)家呂美

展覽現(xiàn)場(chǎng)開(kāi)幕嘉賓

The Blooming Realm

In the global context of contemporary art, how to reconstruct an artistic language system using the intellectual resources of one’s own culture has always been a core issue that artists must continuously confront. The solo exhibition of “The Blooming Realm” by Artist Aurelia Lu, who frequently travels between China and the United States, serves as her personal response to this question. Three major series of works: Heaven, Earth, and Humanity, created by Aurelia Lu in recent years, represent this. The exhibition explores the formation and renewal of art in a cross-cultural context from the perspectives of symbolism, form, and philosophy.

The Blooming Realm is both the title of the exhibition and a symbolic expression of the artist’s creative philosophy. The “Realm” symbolises the growth of life, the order of nature, and the field of perception and spirit. The“Blooming” represents the manifestation of energy and the blossoming of the spirit. Together, these three elements form an internal cyclical system that moves from generation to manifestation, from form to spirit, subtly echoing the cosmology articulated in the《 I Ching》: “The great virtue of heaven and earth is giving life.” Using this structure as a metaphor, the exhibition presents Aurelia's "Heaven", "Earth", and "Humanity" series.

Aurelia’s "Heaven" series employs symbols such as circles, triangles, and curves, combining the permeating qualities of traditional ink wash with layered mixed media to create a spatial tension where fluidity and order coexist. The abstraction in her works differs from the rational self-discipline of Western forms, as it is rooted in the Eastern traditional concept of “rhythmic vitality” (qiyun shengdong). This makes her work a fusion of her conceptual thinking and sensory perception. In her Earth series, the artist focuses on the accumulation of form and civilisation. Imagery such as pyramids, golden mountains, and bamboo slips is translated into symbols of cultural memory. Through subtle means, graphic intentions are transformed into symbols of spiritual energy, becoming the intersection of her cultural memory and formal language. Her Humanity series establishes a spiritual intermediary between Heaven and Earth. Through softened colour layers and faintly suggested forms, it hints at the existence of the “soul.” By incorporating imagery such as the lingering shadows of Buddha statues, fragmented symbols, and dragons and phoenixes, the Humanity series becomes the converging point of her creative semantics.

Overall, Aurelia’s work demonstrates a cross-cultural artistic approach grounded in her unique experience of the collision between Eastern and Western cultures. Rooted in Eastern philosophical thought and shaped by the structural rationality and material experimentation of Western modernism, she seeks to make spiritual order visible within abstract structures. Through the layered accumulation of composite media and the transformation of visual symbols between the manifest and the hidden, the material and the spiritual, she turns the viewer’s gaze into a process of meaning generation.

As Maurice Merleau-Ponty remarked, “The visible is not an object, but the manifestation of the world within us.” Aurelia’s works are a visual form of this manifestation—generated within the “wooded realm” and blossoming in its “radiance,” forming a complete cycle from material to spirit, from form to consciousness. Thus, they become a conceptual model about “how art is generated,” visually rearticulating a contemporary expression of the symbiotic triad of Heaven, Earth, and Humanity.

關(guān)于藝術(shù)家

Aurelia Lu（呂美）

旅美藝術(shù)家，現(xiàn)創(chuàng)作生活于紐約和北京。曾就讀于中央工藝美院環(huán)境藝術(shù)系，中央美院蔣采萍工筆重彩畫(huà)研究班，國(guó)際書(shū)象學(xué)社，紐約藝術(shù)學(xué)生聯(lián)盟。北美清華美院校友會(huì)副會(huì)長(zhǎng)，海外美術(shù)家協(xié)會(huì)會(huì)員，北京工筆重彩畫(huà)會(huì)會(huì)員。呂美曾在中國(guó)，美國(guó)，歐洲各地舉辦個(gè)展群展等，參加巴黎，邁阿密和瑞士巴塞爾等地博覽會(huì)，作品被中外美術(shù)館及私人收藏。呂美的作品關(guān)注“自然”，“宇宙”，“生命”，以及在東西方文化影響下的內(nèi)心沖突，身份認(rèn)知和心靈對(duì)話。所以對(duì)“自然”，“心性”，“心靈”的表達(dá)是她作品所關(guān)注的方向，希望通過(guò)藝術(shù)的方式來(lái)療愈人類的情感和情緒。 呂美的創(chuàng)作的理念和思考主要來(lái)自于東方的哲學(xué)觀與智慧，比如“陰陽(yáng)”，“虛實(shí)”，“空無(wú)”，“天圓地方” ，“大象無(wú)形”，“大道至簡(jiǎn)”，“道”是最高的抽象，回到物體結(jié)構(gòu)本身，尋找本質(zhì)，回到自我，極簡(jiǎn)，純色，神秘，光，塔，精神性，是對(duì)她作品的解讀。作品的形式包括抽象水墨，綜合材料和裝置。呂美的作品是她的心路歷程和心性流露，是她對(duì)生命，虛無(wú)及終極問(wèn)題的純粹表達(dá)。

Chinese American artist, Aurelia Lu studied and graduated from The Central Academy of Art and Design, Beijing, The International ShuXiang Society, Beijing, and The Art Student League of New York. She currently lives and works between New York City and Beijing. Lu Mei's artworks have been exhibited and collected by Museums, galleries, and private collectors throughout the US, China, and Europe. Aurelia Lu’s artworks are influenced by her intensive study of both Oriental and Western culture, and her personal life experience. Her art form includes contemporary inks, mixed media, and installations. Her artworks depict traces of her heart. It’s the image of her soul and spiritual pursuit of art. According to Aurelia Lu: “Life is a Journey to return home.”

美術(shù)館及重要收藏

北京在3畫(huà)廊、北京合羽空間、北京易佑文化中心、北京微溫度咖啡館、北京行云無(wú)界空間、北京國(guó)際書(shū)象學(xué)社、希臘克里特美術(shù)館、法國(guó)巴黎私人畫(huà)廊、北京99美術(shù)館、美國(guó)紐約律師及投資人， 美國(guó)紐約金融投資公司， 美國(guó)紐約NXP公司，美國(guó)KW房地產(chǎn)公司， 美國(guó)芝加哥Springfield Transportation公司 ，加拿大溫哥華房地產(chǎn)投資公司， 中國(guó)北京金融投資公司，美國(guó)，西班牙， 香港，歐洲，中國(guó)等私人藏家。

99 International Museum Beijing, Being3 Gallery Beijing, Crete Contemporary Art Museum Greece， China Association of collectors, Springfield Transportation Chicago, Law Firm NY, Finance Industry NY, Douglas Elliman NY, Kelly Williams’ NY, We’do Coffee Beijing, Xi Space Beijing， ForME Art Space Beijing， YiYou Cultural Gallery Beijing， Cohim Gallery Beijing， International Shuxiang Society, Cloud Art Space Beijing. Finance Investment Company Beijing. And some private collectors from New York, Chicago, China, Spain, Greece, Paris, and London.

相關(guān)展覽

個(gè)展：

2024 “移情別戀 -呂美個(gè)展” 在3畫(huà)廊 北京 中國(guó)

2023 “人云藝云 -呂美個(gè)展” 行云無(wú)界空間&聯(lián)合設(shè) 北京 中國(guó)

2022 “浮光掠影，一些城市一些心靈—呂美個(gè)展” 微溫度咖啡館空間 北京 中國(guó)

2020 “折疊2020—呂美個(gè)展” The Stride Arts 畫(huà)廊 紐約 美國(guó)

2020 “愛(ài)之光—呂美個(gè)展” OnTheFringeNYC 畫(huà)廊 紐約 美國(guó)

2019 “東方傳奇” 呂美+LeahPoller 雙個(gè)展 慧空間 北京 中國(guó)

2019 “謐” 呂美個(gè)展 合羽空間 北京 中國(guó)

2018 “呂美個(gè)展” Red Dot “邁阿密-巴塞爾” 邁阿密 美國(guó)

2018 “In The Space Of Elsewhere”雙個(gè)展 Lewisham Arthouse 畫(huà)廊 倫敦 英國(guó)

2018 “繪畫(huà)也是一種思考” 呂美個(gè)展 易佑文化 北京 中國(guó)

2018 “心跡” 呂美個(gè)展 中赫畫(huà)廊 北京 中國(guó)

2018 “Behind Red Door” 呂美藝術(shù)展 斯坦福 康州 美國(guó)

2014 “歸”當(dāng)代水墨個(gè)展北京99美術(shù)館 北京 中國(guó)

博覽會(huì)和選擇性群展

2025 “第∞號(hào)房間-已在此停留3287天”女性藝術(shù)家作品展 在3畫(huà)廊 北京 中國(guó)

2024 “先驗(yàn)與繁星” 羅馬藝術(shù)周 AAIE畫(huà)廊 羅馬 意大利

2024 “向繪畫(huà)致敬”夏季快閃展 在3畫(huà)廊 北京 中國(guó)

2023 “既然美好”藝術(shù)群展 在3畫(huà)廊 北京 中國(guó)

2023 “大象集”抽象藝術(shù)展 雪蓮亮點(diǎn)藝術(shù)中心 北京 中國(guó)

2021 “藝術(shù)廣東”博覽會(huì) 21造藝術(shù)機(jī)構(gòu) 廣東 中國(guó)

2022 “月亮之約”女性藝術(shù)家展 FOR覓藝術(shù)空間 北京 中國(guó)

2022 “書(shū)象學(xué)社精英回顧展” 絲路華興美術(shù)館 北京 中國(guó)

2021 “藝術(shù)北京”博覽會(huì) 在3畫(huà)廊 北京 中國(guó)

2021 “愛(ài)要發(fā)電” 當(dāng)代藝術(shù)家邀請(qǐng)展 POLIS SPACE 上海 中國(guó)

2021 “ART POWER” 線上藝術(shù)季 EVERY ART 上海 中國(guó)

2021 “未來(lái)已來(lái)” 三人藝術(shù)展 金寶匯共享藝術(shù)空間 北京 中國(guó)

2020 “新冠：我眼中的庚子之疫” 線上展宋莊涂鴉隊(duì) 北京 中國(guó)

2020 “春祭.覺(jué)醒” 大河灣美術(shù)館 北京 中國(guó)

2019 “上善若水“ 國(guó)際生態(tài)藝術(shù)聯(lián)展 摩海德州立大學(xué)美術(shù)館 美國(guó)

2019 “水韻墨章“ 中國(guó)當(dāng)代水墨藝術(shù)研究展 南通大學(xué)美術(shù)館 南通 中國(guó)

2019 “跨文化的實(shí)踐“ 紐約中國(guó)藝術(shù)家近作展 紐約城市理工學(xué)院 紐約 美國(guó)

2018 “Paper Moon” 克里特島當(dāng)代藝術(shù)博物館 希臘

2018 “IBiza 藝術(shù)節(jié)” Mando 畫(huà)廊 伊比薩 西班牙

2018 “環(huán)球藝術(shù)方舟” 全球巡展- 1+1藝術(shù)中心 北京 中國(guó)

2018 “一庫(kù)藝米藝術(shù)家展覽” 在3畫(huà)廊 北京 中國(guó)

2017 “倉(cāng)庫(kù)里有趣的藝術(shù)史” 在3畫(huà)廊 北京 中國(guó)

2017 “2017首屆清華校友紐約藝術(shù)周”聯(lián)合國(guó)和雅博畫(huà)廊 紐約 美國(guó)

2017 “2017中國(guó).宋莊文化藝術(shù)節(jié)” 北京 中國(guó)

2017 “藝術(shù)山西” 在3畫(huà)廊展區(qū) 太原美術(shù)館 山西 中國(guó)

2016 “蛻變 中國(guó)-意大利當(dāng)代藝術(shù)雙年展” 北京 中國(guó)

2015 “Art Miami-Spectrum”, 邁阿密 美國(guó)

2015 “Art Capital” 巴黎大皇宮 法國(guó)

2014 香港當(dāng)代藝術(shù)博覽會(huì) 香港

2016 “紐約亞洲藝術(shù)聯(lián)展” 紐約 美國(guó)

2016 “物與詩(shī)” 群展 在3畫(huà)廊 北京 中國(guó)

2016 “第二屆獨(dú)立品格提名展” 北京 中國(guó)

2016 “國(guó)際書(shū)象學(xué)社三屆畢業(yè)展覽” 北京國(guó)中美術(shù)館 中國(guó)

2016 “達(dá)摩”跨媒體當(dāng)代藝術(shù)展”河南鄭州 中國(guó)

2016 “縫隙：關(guān)系”裝置展 北京 中國(guó)

2016 “美麗·記憶”第六界寶安女畫(huà)家優(yōu)秀作品展 深圳 中國(guó)

2015 “石佛當(dāng)代藝術(shù)展”鄭州石佛藝術(shù)公社 中國(guó)

2015 “中國(guó)當(dāng)代女子畫(huà)會(huì)首屆邀請(qǐng)展”上上國(guó)際美術(shù)館 北京 中國(guó)

2015 “生命之醉”當(dāng)代藝術(shù)展, ”Enoterra Bar” 北京 中國(guó)

2015 “紐約哈德遜第一屆當(dāng)代亞洲藝術(shù)展”，紐約 美國(guó)

2014 “跨越文化，跨越世界”群展北京99美術(shù)館 北京 中國(guó)

2014 紐約雅博藝?yán)热赫?紐約 美國(guó)

2011 Murphy Hill畫(huà)廊“East Meet West” 芝加哥 美國(guó)

2001 “女性藝術(shù)作品展” 芝加哥 美國(guó)

1999 “工筆重彩畫(huà)展” 北京中國(guó)美術(shù)館 中國(guó)

Important Museums and Private Collections

Publishing

【Chinese Contemporary Art Document】2015

【Chinese Contemporary Art Document】2014

【Chinese Contemporary Art Document】2013

【The 3rd International Shuxiang Society Documentary】2016

Solo Exhibitions

2024 “Love? Love!” Lu Mei Solo Exhibition at Being 3 gallery, Beijing, China

2023 “Cloud Talk” Lu Mei Solo Exhibition Cloud Space & Li Space Beijing, China

2022 “Floating and Glance, Some cities, some souls” Lu Mei Solo We’Do space Beijing

2020 “Folding 2020” Lu Mei Solo show, The Stride Arts gallery, NY , USA

2020 “Light Of Love” Lu Mei Solo show, On the Fringe, NYC gallery, NY, USA

2019 “Oriental Legend” Leah Poller & Lu Mei Solo Exhibition Hui Space, Beijing, China

2019 “Serenity” Lu Mei Solo Exhibition, The Gather Space, Beijing, China

2018 “Lu Mei Solo show at Red Dot Miami Basel 2018 ” Miami, USA

2018 “Painting is also thinking” solo Exhibition Yiyou Culture Gallery, Beijing, China

2018 “Heart Trace” Lu Mei Solo Exhibition Cohim Gallery, Beijing, China

2018 “In The Space Of Elsewhere” Lewisham Arthouse Gallery, London, UK

2018 “ Behind The Red Door” Lu Mei solo exhibition , Stamford, CT, USA

2014 “Return” Solo Exhibition at Beijing 99 Museum, China

Art Fair and Selected Group Exhibitions ：

2024 “A Priori Stelle” Rome Art Week AAIE & Being3 gallery, Rome, Italy

2024 “To Paintings” Summer Group show, Being3 gallery, Beijing, China

2023 “Since Good” Being3 gallery, Beijing, China

2022 “Art Guangdong” Art Fair, Guangdong, China

2022 “Moon Covenant” Female group show FORMI Art Space, Beijing, China

2021 “Art Beijing” Art Fair, Beijing, China

2021 “Generating By Love” Contemporary Art Exhibition POLIS SPACE Shanghai, China

2019 “Like That Of Water” The Art Gallery Of Morehead State University, USA

2019 “The Chinese Ink Painting” The Art Museum of Nantong University, China

2019 “Like That Of Water” The Forest China Art Museum, Beijing, China

2019 “Cross-Cultural Practice” Recent Works by Chinese Artists In New York CUNY, NY

2018 “Spirit Animal” Coral Exhibition Mando Gallery Ibiza Spian

2018 “Paper Moon” Group Exhibition in the Contemporary Art Museum of Crete, Greece

2017 “The Story of Art” Being 3 Gallery, Beijing, China

2017 “The First Tsinghua Alumni Art Week” in UN & Artosino gallery , New York, USA

2016 “New York Asia Art Group Exhibition” New York, USA

2016 “Object & Poetry” Group Exhibition Being3 Gallery Beijing China

2016 “Metamorphosis—Biennale China-Italia” Beijing, China

2016 “Lacuna: Relationships” Insulation Exhibition, Beijing, China

2015 “Art Miami-Spectrum”, Miami, USA

2015 “Art Capital” Grand Palais, Paris

2015 “1st Annual Chinese Contemporary Woman Artist Exhibition” Beijing, China

2015 “1st Annual Contemporary Asian Art Exhibition” New York, USA

2014 “Far and Wide” Group exhibition at Beijing 99 Museum, China

2014 Hong Kong Contemporary Art Exhibition, Hong Kong

2014 The Group Exhibition of New York’s Artosino Gallery, New York, USA

2011 “East meets West” Group Exhibition Murphy Hill Gallery, Chicago, USA

2001 Woman-Made Art Exhibition, Chicago, USA

1999 Graduate Group Exhibition at the Museum of China, Beijing Ch

本文圖文資料致謝：MIX ART LAB