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本文轉(zhuǎn)自：德國(guó)電影節(jié)

11月7日，2025年德國(guó)電影展開(kāi)幕式在北京百老匯電影中心舉行。開(kāi)幕式上，德國(guó)電影協(xié)會(huì)總經(jīng)理西蒙娜·鮑曼女士（Simone Baumann）、德國(guó)電影協(xié)會(huì)中國(guó)代表安珂女士（Anke Redl）、北京德國(guó)文化中心·歌德學(xué)院（中國(guó)）院長(zhǎng)歐彬先生（Robin Mallick）及德國(guó)駐華使館代表表達(dá)了對(duì)此次影展順利舉辦的祝賀。

德國(guó)電影展由德國(guó)電影協(xié)會(huì)和北京德國(guó)文化中心·歌德學(xué)院（中國(guó)）聯(lián)合舉辦，并得到了德國(guó)駐華大使館及領(lǐng)事館的支持。

德國(guó)電影協(xié)會(huì)中國(guó)代表安珂女士宣布了影展開(kāi)幕并向到場(chǎng)的嘉賓及觀眾表示了歡迎。德國(guó)電影展來(lái)到第十三屆，致力于向觀眾展現(xiàn)德國(guó)電影的多樣性。今年以懸疑驚悚片《歇斯底里》（

Hysteria

） 作為開(kāi)幕片，也是影展開(kāi)辦以來(lái)一次特別的嘗試。安珂女士也代表德國(guó)電影協(xié)會(huì)感謝了影展的所有合作伙伴及贊助方。

安珂女士

德國(guó)駐華使館代表提起，去年影展的開(kāi)幕片是來(lái)自伊朗導(dǎo)演貝魯斯·卡拉米扎德的《空網(wǎng)》（

Empty Nets

） ，而今年的《歇斯底里》則來(lái)自一位土耳其裔德國(guó)導(dǎo)演。這正是當(dāng)今多元的德國(guó)社會(huì)的折射，也體現(xiàn)了德國(guó)對(duì)移民、對(duì)來(lái)自不同文化背景、有著不同宗教信仰的人們的包容。她認(rèn)為藝術(shù)能夠反映現(xiàn)實(shí)，向世界展現(xiàn)一個(gè)全新的德國(guó)形象。

德國(guó)駐華使館代表

德國(guó)電影協(xié)會(huì)總經(jīng)理鮑曼女士向現(xiàn)場(chǎng)觀眾發(fā)來(lái)視頻問(wèn)候，并向影展合作伙伴以及選片顧問(wèn)表示感謝。今年，德國(guó)電影展仍將為觀眾帶來(lái)一系列德國(guó)最新、最好的電影，它們涵蓋紀(jì)錄片、劇情片等多樣的選擇，她也祝愿觀眾能夠擁有好的觀影體驗(yàn)。

鮑曼女士

北京德國(guó)文化中心·歌德學(xué)院（中國(guó)）院長(zhǎng)歐彬先生希望觀眾們能夠在接下來(lái)兩周的展映中探索德國(guó)電影的多樣性。他也很高興這次影展能夠來(lái)到南京、杭州及成都等城市，向更多的觀眾分享這些優(yōu)秀的德國(guó)電影。

歐彬先生

本屆德國(guó)電影展開(kāi)幕片是穆罕默德·阿基夫·布尤卡塔萊（Mehmet Akif Büyükatalay）導(dǎo)演的《歇斯底里》。影片以一場(chǎng)意外事件為導(dǎo)火索，尖銳地探討了影像的力量，以及社會(huì)認(rèn)知、心理投射與集體癔癥之間的微妙博弈。本片入圍了第75屆柏林國(guó)際電影節(jié)全景單元，并獲得“歐洲電影獎(jiǎng)”。影片放映后，本片主演黛芙姆·林瑙（Devrim Lingnau Islamo?lu）也在線上與觀眾進(jìn)行交流。

與黛芙姆·林瑙·伊斯蘭姆奧盧映后連線

本屆德國(guó)電影展片單包含12部在各大電影節(jié)備受矚目或是在德國(guó)本土票房收獲不菲成績(jī)的新作?！读_拉快跑》（

Run Lola Run

） 導(dǎo)演湯姆·提克威的新作《光》（

The Light

），以詭譎的視覺(jué)呈現(xiàn)投射混亂失調(diào)的社會(huì)現(xiàn)狀；2025年柏林電影節(jié)主競(jìng)賽單元金熊獎(jiǎng)提名作品《瑪麗埃爾都知道》（

What Marielle Knows

），把家庭的雞飛狗跳裝進(jìn)一則輕盈詼諧的諷刺小品；2024年華沙電影節(jié)最佳導(dǎo)演獎(jiǎng)獲得者阿納托爾·舒斯特的《混亂和寂靜》（

Chaos and Silence

）也借由鄰里之間意外的羈絆，呼喚著人與人之間的關(guān)懷與互助。

此外，本年度影展還將為觀眾們帶來(lái)多部紀(jì)錄片，觸及不同的主題，以多元的視角呈現(xiàn)當(dāng)下的社會(huì)關(guān)切?！赌瑺柖鱽?lái)信》（

The Moelln Letters

） 借數(shù)百封塵封多年的慰問(wèn)信，講述了一場(chǎng)種族主義縱火案的受害者那些未曾被聽(tīng)見(jiàn)的故事；《驕傲與姿態(tài)》 （

Pride & Attitude

） 展現(xiàn)了曾在東德工作的女性自信、勇敢、振奮人心的姿態(tài)，并借此反思探尋當(dāng)下女性社會(huì)參與的議題；《馬戲團(tuán)的孩子》（

Circusboy

）則將攝影機(jī)對(duì)準(zhǔn)了為孩子們構(gòu)筑童年夢(mèng)境的馬戲團(tuán)，以及生活在其中的一家人平凡而熱烈的生活。

本屆德國(guó)電影展與往年一樣，十分榮幸地邀請(qǐng)到了兩位資深電影研究者——李迅、車(chē)琳出任影展的選片顧問(wèn)，他們立足中德文化交流，連接歷史與當(dāng)下，對(duì)本次展映的德國(guó)影片給出專(zhuān)業(yè)而獨(dú)到的見(jiàn)解。

一直以來(lái)，德國(guó)電影協(xié)會(huì)致力于在全世界推廣德國(guó)電影。德國(guó)電影展舉辦至今，已經(jīng)展映了上百部影片（影院展映單元及特別放映單元），影片類(lèi)型多樣，包含了劇情片、紀(jì)錄片、喜劇、驚悚、實(shí)驗(yàn)影像、互動(dòng)電影等。德國(guó)電影展旨在持續(xù)地為中國(guó)觀眾帶來(lái)最新的德語(yǔ)新作，為身處兩國(guó)的影迷和創(chuàng)作者搭建交流的平臺(tái)。

On November 7th, the 2025 Festival of German Cinema, presented by German Films and Goethe-Institut China, opened at the Broadway Cinematheque Beijing. At the opening ceremony, Ms. Simone Baumann, Managing Director of German Films, Ms. Anke Redl, German Films Representative in China, Mr. Robin Mallick, Director of Goethe-Institut China, and a representative from the German Embassy in Beijing, expressed their best wishes for the festival.

Host of the evening, Anke Redl welcomed everyone to the opening ceremony of the 2025 and thanked everyone for coming. This is the 13th edition of the Festival of German Cinema in China, and every year, the Festival manages to show the diversity of German films. This is also the first time that the Festival opens with a dark thriller – Hysteria.

Ms. Anke Redl

Representative from the German Embassy in Beijing mentioned that the 2024 FGC open with Empty Nets from Iranian director Behrooz Karamizade, and the this year, the opening film is from an director of Turkish-German descent. This reflects the reality of the German society, which welcomes people from different cultures and with diverse religions. It’s important to show the world a new image of Germany through the medium of art.

Representative from the German Embassy in Beijing

Simone Baumann sent her greetings through a video and expressed her gratitude for the organizers of the festival, including German Films, Goethe-Institut China, Broadway Cinemas, and the advisory board of the festival.

Ms. Simone Baumann

Robin Mallick said that it is delightful that the Festival is taking a tour around China. After Beijing, the Festival will open soon in Nanjing, Hangzhou and Chengdu, and he encouraged the audience to take this opportunity and explore as many films as possible during the upcoming weeks.

Mr. Robin Mallick

The 2025 Festival of German Cinema opened with HYSTERIA by Mehmet Akif Büyükatalay, a piercing reflection on the power of images and the dynamics of perception, projection and societal hysteria. The film has won the Label Europa Cinemas Award at the 75th Berlin International Film Festival – Panorama section. After the screening, lead actress Devrim Lingnau Islamo?lu joined the audience online for a Q&A session.

Online Q&A with Devrim Lingnau Islamo?lu

This year's Programme features 12 new releases that stood out at major film festivals or achieved impressive box office success in Germany. Tom Tykwer's LIGHT reflects a chaotic and dysfunctional social landscape through eerie visual imagery; WHAT MARIELLE KNOWS, Golden Bear nominee at the 2025 Berlinale, shatters the fragile balance of a bourgeois family with a witty satire; Anatol Shuster's CHAOS AND SILENCE, which has won him Best Director at the 2024 Warsaw Film Festival, explores unexpected bonds between neighbors, and calls for human compassion and unity.

Additionally, the Festival is presenting multiple documentaries exploring diverse themes this year. THE MOELLN LETTERS unravels the untold stories of victims from a racist arson attack through hundreds of letters of solidarity that had been ignored for nearly three decades; PRIDE AND ATTITUDE features the confident and empowered women workers who embarked on their careers in East Germany, and their stories during a transformative era; CIRCUSBOY follows the extraordinary life of a circus family in all its reality and magic, capturing a young boy‘s experience growing up among an extended family and animals.

As in previous years, the Festival is honored to have invited two scholars from China - Li Xun and Che Lin - to serve as advisors for this year's festival. They have provided professional insights into the films to be screened based on cultural exchange between China and Germany, connecting the past and the present.

Since its inception, the Festival of German Cinema in China has screened many films (in the Cinema Section and the Special Screening Section) in a wide range of genres, including drama, documentary, comedy, thriller, experimental video and interactive film. German Films in China aims to continuously bring the latest German-language releases to Chinese audiences and to build a platform for exchange between movie fans and creators in both countries.

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