來源:設計先鋒隊(ID:toot8448)
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As the Seattle sun streamed over the fence of the vacant lot behind their house, Per and Cecilia saw no limits to zoning. They recalled afternoons in Cecilia's native Argentina, when family and friends gathered around a quincho (a traditional outdoor dining space), the aroma of meat sizzling in the air, and laughter filled the courtyard. Thus, the design, designed to "bring the flavor of Argentinian cuisine to Seattle," became a "container of joy" that combined traditional warmth with modern convenience.
當西雅圖的陽光掠過屋后閑置地塊的圍欄,Per 和 Cecilia 沒有看見 zoning 約束的局限 —— 他們想起 Cecilia 故鄉(xiāng)阿根廷的午后,親友圍坐在 quincho(傳統(tǒng)戶外廚宴空間)旁,烤爐飄著肉香,笑聲漫過庭院。于是,一場 “把阿根廷煙火氣種進西雅圖” 的設計,在 DeForest Architects 團隊的筆下,成了兼具傳統(tǒng)溫度與現(xiàn)代便利的 “歡聚容器”。
The design's original intention revolved around the mantra:Maximum Fun, Minimum Fuss.This is not only a functional requirement, but also a gentle homage to Cecilia's hometown. Rather than replicating the heaviness of the traditional quincho, the team employed modern materials to create a minimalist design, bringing the joy of gathering back to its essence. The exterior walls are clad in weather-resistant Taylor metal and Hardie concrete panels, requiring no frequent maintenance after rain, much like the weather-resistant quinchos found in rural Argentina. Davis "Pewter" concrete floors, both indoors and outdoors, are impervious to spilled coffee, splattered barbecue grease, and even bare feet. The soft clatter of children's shoes against the ground as they chase each other evokes a sense of relaxed, carefree living.
設計的初心,始終繞著一句 mantra:Maximum Fun, Minimum Fuss(趣致無擾)。這不僅是對功能的要求,更是對 Cecilia 故鄉(xiāng)記憶的溫柔承接。團隊沒有復刻傳統(tǒng) quincho 的厚重,而是用現(xiàn)代材質做 “減法”,讓歡聚回歸本質:外墻裹著耐候的 Taylor 金屬與 Hardie 水泥板,雨水沖刷后無需頻繁養(yǎng)護,就像阿根廷鄉(xiāng)村里經(jīng)得住風吹日曬的老 quincho;室內(nèi)外通鋪 Davis “Pewter” 色混凝土地板,咖啡潑灑、烤肉油濺、赤腳踩過都不怕,孩子們追跑時,鞋底與地面的輕響里,藏著 “不用拘謹” 的松弛。
The code for "Fun" lies in every detail, crafted for joyful gatherings. In an outdoor corner, a Magma 1200 grill imported from Buenos Aires gleams with a metallic sheen. In the evening, the flames of a DCS gas grill lick the steaks, the aroma mingling with the Seattle evening breeze, instantly evoking Cecilia's childhood culinary memories. Rattan chairs frame a warm area around the fire table, where elders, sipping hot drinks, watch the younger generation splashing in the Endless Pools Swim Spa, the water splashing onto the lawn, scattering tiny glints of light. The interior is more like an "extended gathering cabin": when the large Sierra Pacific sliding glass doors are pushed open, sunlight pours in, connecting the kitchen, dining area and courtyard into one. The Dekton sintered stone countertops selected by Mariana Flombaum have a delicate luster, and the light clink of knife and stone when cutting vegetables overlaps with the laughter and conversation outside. The wall cabinet slides open to reveal a coffee station, and the hum of the coffee grinder awakens the morning, while closing it hides all clutter, and even the countertop exudes "effortless neatness."
而 “Fun” 的密碼,藏在每一處為歡聚而生的細節(jié)里。室外角落,從布宜諾斯艾利斯進口的 Magma 1200 烤爐泛著金屬光澤,傍晚時分,DCS 燃氣烤爐的火焰舔舐著肉排,香氣混著西雅圖的晚風,瞬間勾連起 Cecilia 童年的味覺記憶;火桌旁的藤椅圈出一片暖區(qū),長輩們握著熱飲,看年輕一代在 Endless Pools Swim Spa 里嬉鬧,水花濺到草坪上,折射出細碎的光。室內(nèi)更像 “歡聚的延伸艙”:大面積 Sierra Pacific 滑動玻璃門一推開,陽光便涌進來,把廚房、用餐區(qū)與庭院連成片,Mariana Flombaum 挑選的 Dekton 燒結石臺面泛著細膩光澤,切菜時刀與石的輕撞聲,和室外的談笑聲疊在一起;墻柜滑開是咖啡站,磨豆機的嗡鳴喚醒清晨,關上則藏起所有雜物,連臺面都透著 “不費力的整潔”。
The clash of materials reveals a balance of warmth. The cold, hard metal exterior and concrete floor are softened by the 1x6 cedar veneer ceiling—running your fingertips over the wood grain reveals a warmth similar to that of an Argentinian quincho. Bomma's Tim pendant lamp hangs above the dining table, its smoky glass shade filtering a warm glow. At night, it seems to bring the starlight of the Argentinian prairie into the room. Nora Lighting's Iolite downlights, recessed in the ceiling, provide a soft, non-glaring glow, perfectly illuminating the sizzling Argentinian sausages on the grill and revealing the delicate brushstrokes of Jennifer Gautheir's "Sister Wave" painting in the attic as friends and family chat.
材質的碰撞里,藏著溫度的平衡。冷硬的金屬外墻與水泥地板,被 1x6 雪松 veneer 吊頂柔化 —— 指尖撫過木紋,能觸到類似阿根廷木造 quincho 的溫潤;Bomma 的 Tim 吊燈懸在餐桌上方,煙灰色玻璃罩濾出暖光,夜里點亮時,像把阿根廷草原的星光摘進了屋;Nora Lighting 的 Iolite 筒燈嵌在天花板,光線柔和不刺眼,剛好照亮烤盤里滋滋作響的阿根廷香腸,也能讓閣樓里 Jennifer Gautheir 的《Sister Wave》畫作,在親友閑聊時顯露出細膩筆觸。
Most moving is the design's precise response to emotional needs. A custom-made steel ladder, custom-designed by DeForest Architects, rolls down to the mezzanine floor and unfolds. It serves as Per's small office during the day, and at night, with a mattress, it becomes a bedroom for visiting relatives and friends. This ladder embodies Cecilia's understanding of home: a quincho in her hometown never leaves guests feeling cramped, and this should be no different. The bathroom, clad in glossy Metro Gray tile for clean, easy-to-maintain aesthetic, features a ceramic soap dish Cecilia brought back from Argentina. In the bedroom, Allison Rohland's vibrant painting, "I Think I Will Play Today," seems to echo the smiling faces of her children chasing butterflies on the lawn during every gathering.
最動人的,是設計對 “情感需求” 的精準承接。DeForest Architects 定制的鋼梯,滾到閣樓下方就能展開,白天是 Per 處理工作的小辦公室,夜里鋪上床墊,就是遠道而來的親友的臥室 —— 這梯子里藏著 Cecilia 對 “家” 的理解:故鄉(xiāng)的 quincho 從不會讓客人覺得局促,這里也該如此。浴室用 Metro Gray 亮面瓷磚,干凈易打理,卻特意擺上 Cecilia 從阿根廷帶回的陶制皂碟;臥室里 Allison Rohland 的《I think I will play today》畫作,色彩明快,像在呼應每次歡聚時,孩子們趴在草坪上追蝴蝶的笑臉。
Today, The Quincho quietly grows in a Seattle courtyard. When the aroma of baking wafts up again, Cecilia, watching family and friends gathered around, is reminded of the quinchos of her hometown and falls in love with this "familiar yet fresh" space. The design has lived up to expectations—it's more than just a building; it's the stitch that connects "hometown memories" with "present joy," making every gathering warm and stress-free.
如今,The Quincho 在西雅圖的庭院里靜靜生長。當烤爐的香氣再次飄起,Cecilia 看著親友圍坐的模樣,會想起故鄉(xiāng)的 quincho,也會愛上眼前這處 “既熟悉又新鮮” 的空間。設計終究沒有辜負期待 —— 它不只是一座建筑,更是把 “故鄉(xiāng)記憶” 與 “當下歡聚” 縫在一起的針腳,讓每一次相聚,都有溫度,無紛擾。
編輯:夏邊際
撰文:豆寶寶
校改:吳一仁
編排:布忠耀
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