來(lái)源：設(shè)計(jì)先鋒隊(duì)（ID:toot8448）

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Opening the door to the Vasilyevsky Island apartment, within a 100-square-meter space, a "creative dialogue tailored for future architects" quietly unfolds. The design, informed by the rationality of Bauhaus and the poetic light and shadow of James Turrell, interweaves minimalist white with the warmth of wood. It accommodates both the lively gatherings of friends and the quiet contemplation of solitude—not just a living space, but an "incubator" for young architecture students.

推開通往瓦西里耶夫斯基島的公寓門，100 平方米的空間里，一場(chǎng) “為未來(lái)建筑師量身定制的創(chuàng)意對(duì)話” 正悄然展開。設(shè)計(jì)以包豪斯的理性骨骼為架，以詹姆斯?特瑞爾的光影詩(shī)意為魂，將極簡(jiǎn)白與木質(zhì)暖交織，既裝得下朋友歡聚的熱鬧，也容得下獨(dú)處思考的沉靜 —— 這里不只是居住空間，更是一位年輕建筑學(xué)子的 “靈感孵化器”。

The design's sense of spatial transparency is the first expression of freedom. Without heavy walls, the entrance flows like water into the elongated living room. The office area is separated by a single glass partition, allowing unimpeded vision to flow through all areas. The afternoon sun filters through the glass, casting subtle shadows on the white walls and floor, giving the 100-square-meter space a visually expansive, breathable feel. This "boundless" concept echoes the architectural student's philosophy: creativity should not be confined, just like light and vision in a space; freedom allows for the growth of new possibilities.

空間的通透感，是設(shè)計(jì)寫給自由的第一句注腳。沒(méi)有厚重隔墻的分割，玄關(guān)像流水般漫進(jìn)拉長(zhǎng)的客廳，辦公區(qū)也僅用一面玻璃隔斷輕描邊界，視線能毫無(wú)阻礙地穿梭于各個(gè)區(qū)域。午后陽(yáng)光穿過(guò)玻璃，在雪白色的墻面與地面上織出淡影，讓 100 平方米的實(shí)際面積，在視覺(jué)里生出更開闊的呼吸感。這種 “無(wú)界” 恰是對(duì)建筑學(xué)子思維的呼應(yīng)：創(chuàng)意本就不該被框定，就像空間里的光線與視線，自由才能生長(zhǎng)更多可能。

The living room's dining area is the centerpiece of the home. A large, warm wooden table stands quietly in the center, its texture imbued with natural warmth. Here, it can be a dining table for friends to share a meal, a workbench for laying out blueprints and discussing designs, or even a makeshift "audience seat" for a movie. The full-height bookshelves behind the table are already filled with anticipation for the future: once the owner displays architectural catalogs and design manuscripts, they will transform from simple storage shelves into a private "inspiration library," giving the living room an added layer of study and research beyond just socializing.

客廳的用餐區(qū)是整個(gè)家的 “引力核心”。一張溫潤(rùn)的木質(zhì)大桌靜靜立在中央，桌面的紋理里藏著自然的溫度 —— 在這里，它可以是朋友圍坐分享美食的餐桌，也能變身為鋪開圖紙、討論設(shè)計(jì)的工作臺(tái)，甚至能成為放映電影時(shí)的臨時(shí) “觀眾席”。桌后那排通高的書架，早已為未來(lái)填滿期待：待主人將建筑畫冊(cè)、設(shè)計(jì)手稿一一陳列，它便會(huì)從普通的儲(chǔ)物架，蛻變成一座私人 “靈感圖書館”，讓客廳在 “社交” 之外，又多了層 “研學(xué)” 的意義。

The kitchen's design embodies a masterful balance between order and beauty. Unlike typical open kitchens, this one uses sliding panels to discreetly conceal the cooking area. When closed, the clutter of kitchenware and traces of cooking fumes instantly disappear, returning the space to a minimalist, uncluttered aesthetic. When it's time to prepare food, the panels slide open, creating a seamless connection with the living room. This ingenious "hidden and revealed" design, like the balance between function and form in architectural design, is both practical and aesthetically pleasing.

廚房的設(shè)計(jì)藏著對(duì) “秩序與美感” 的平衡術(shù)。不同于常見的開放式廚房，這里用滑動(dòng)立面將烹飪區(qū)悄悄藏起，當(dāng)面板閉合，雜亂的廚具與油煙痕跡瞬間隱身，空間回歸極簡(jiǎn)的整潔；而當(dāng)需要料理時(shí)，立面推開，又能與客廳形成流暢互動(dòng) —— 這種 “可藏可顯” 的巧思，恰似建筑設(shè)計(jì)中對(duì) “功能與形式” 的拿捏，既實(shí)用，又不破壞整體美學(xué)。

Private areas are cozy nooks reserved for introverts. The study, bedroom, and bathroom continue the overall sober palette, yet each space features a comfortable single chair. The study chair, next to a floor lamp, is perfect for late-night architectural readings. The bedroom chair, by the window, allows for morning sun-filled reflections while organizing design ideas. The bathroom, on the other hand, employs the art of light and shadow to its fullest. Within the all-white space, the luminous ceiling resembles a soft cloud, reminiscent of James Turrell's installations where light takes center stage. The interplay of the sound of flowing water and warm light washes away the day's fatigue and fuels inspiration.

私密區(qū)域則是為 “內(nèi)向者” 預(yù)留的溫柔角落。書房、臥室與浴室延續(xù)了整體的素凈色調(diào)，卻在每個(gè)空間里都藏了一把舒適的單椅：書房的椅子旁挨著落地?zé)?，適合捧著建筑理論書讀到深夜；臥室的椅子臨窗，晨起時(shí)能曬著太陽(yáng)梳理設(shè)計(jì)思路；浴室更是將光影藝術(shù)做到極致 —— 全白的空間里，發(fā)光的天花板如一片柔和的云，讓人想起詹姆斯?特瑞爾那些 “讓光成為主角” 的裝置作品，水流聲與暖光交織，洗去一天的疲憊，也為靈感積蓄能量。

Light is the invisible designer throughout the apartment. The light boxes and lighting fixtures in every room are more than just illumination tools: the living room lights can be dimmed to a bright and lively setting for a gathering with friends, creating a lively atmosphere; late at night, when alone, the lights can be dimmed, creating a quiet and gentle space perfect for poring over blueprints or conceptualizing a plan. This magical play of light and shadow, alternating with the scene, imbues the space with emotion: it can be a lively stage for parties, a contemplative corner for solitude, and even a canvas for architectural inspiration.

光，是貫穿整個(gè)公寓的 “隱形設(shè)計(jì)師”。每個(gè)房間的燈箱與光影裝置，都不是簡(jiǎn)單的照明工具：客廳的燈在朋友聚會(huì)時(shí)可調(diào)至明亮活潑，營(yíng)造熱鬧氛圍；深夜獨(dú)處時(shí)，燈光調(diào)暗，空間又變得靜謐柔和，適合對(duì)著圖紙發(fā)呆、構(gòu)思方案。這種 “光影隨場(chǎng)景切換” 的魔法，讓空間有了情緒：它可以是派對(duì)時(shí)的熱烈舞臺(tái)，也能是獨(dú)處時(shí)的冥想角落，更能是建筑創(chuàng)作時(shí)的靈感畫布。

Standing in this space, one can clearly sense the symbiotic relationship between design and user: Bauhaus furniture cultivates a sense of classic aesthetics, the warmth of wood conveys the warmth of life, and the play of light and shadow inspires design imagination. For this future architecture student, LF20 Apartment is more than just a "home," it is her first classroom for learning about architecture and understanding space. Here, every touch of the wooden tabletop, every observation of the play of light and shadow on the wall, every moment of contemplation in the corner chair, all serve to accumulate authentic experiences of "beauty and life" for her future design career.

站在這個(gè)空間里，能清晰感受到設(shè)計(jì)與使用者的 “共生關(guān)系”：包豪斯的家具培養(yǎng)著對(duì)經(jīng)典美學(xué)的感知，木質(zhì)的溫潤(rùn)傳遞著生活的溫度，光影的變化啟發(fā)著設(shè)計(jì)的想象。對(duì)這位未來(lái)的建筑學(xué)子而言，LF20 公寓不只是 “家”，更是她接觸建筑、理解空間的第一課堂 —— 在這里，每一次觸摸木質(zhì)桌面的質(zhì)感，每一次觀察光影在墻面的移動(dòng)，每一次在角落的椅子上思考，都是在為未來(lái)的設(shè)計(jì)之路，積累著關(guān)于 “美與生活” 的真實(shí)體驗(yàn)。

This is the charm of LF20 Apartment: with its minimalist form, warm materials and dynamic light and shadow, it has built a home for a young creator and a creative garden where “inspiration never runs dry.”

這便是 LF20 公寓的魅力：它用極簡(jiǎn)的形態(tài)、溫暖的材質(zhì)與靈動(dòng)的光影，為一位年輕創(chuàng)作者筑造了棲身之所，更筑造了一座 “靈感永不枯竭” 的創(chuàng)意花園。

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編輯：夏邊際

撰文：豆寶寶

校改：吳一仁

編排：布忠耀

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