雕刻中的苴卻硯。圖據(jù)“這里仁和”公眾號(hào)

　　苴卻硯雕刻作品。圖據(jù)“這里仁和”公眾號(hào)

　　Nestled in the lush mountains of Panzhihua, Sichuan, lies a treasure of intangible cultural heritage — the Zuoque Inkstone. For over a millennium, this exquisite stone has been revered as one of China’s“Four Great Inkstones”, a testament to its enduring legacy in the world of traditional calligraphy and ink painting.
　　Crafted from unique purple-black sandstone
sourced locally, Zuoque Inkstones are distinguished by their natural, intricate patterns, including the distinctive“stone eyes”— concentric circles resemble pupils —
　　as well as swirling designs reminiscent of flowing
　　clouds or rippling water. Each inkstone is a
　　one-of-a-kind masterpiece, shaped by the powers of
　　nature and refined by the hands of craftsmen.
　　Creating a single Zuoque Inkstone is a labor of love
and patience. Artisans employ time-honored techniques, using simple tools to carve, polish, and refine the raw stone over weeks or even months. The process demands not only skill but also a deep understanding of the material to ensure the final product is both beautiful and functional. A high-quality Zuoque Inkstone is smooth to the touch, fine-grained, and perfectly suited for grinding ink sticks. It retains moisture without drying the ink, allowing artists to create seamless, consistent strokes.
　　Beyond its practical use, the Zuoque Inkstone embodies deep cultural values. It
represents a connection to China’s scholarly traditions, where the act of grinding ink was a meditative ritual preceding creation. Today, it remains a symbol of Panzhihua’s identity and artistic spirit. As modern technology advances, efforts to preserve this ancient craft have become even more vital, ensuring that the silent elegance of the Zuoque Inkstone can continue to inspire future generations.

譯文千古苴卻硯墨韻攀枝花

　　在四川攀枝花的蒼翠群山之中，蘊(yùn)藏著一項(xiàng)非物質(zhì)文化遺產(chǎn)的瑰寶——苴卻硯。這種精美的硯臺(tái)被譽(yù)為中國“四大名硯”之一，它跨越千年時(shí)光，在傳統(tǒng)書法和國畫世界中續(xù)寫著經(jīng)久不衰的傳奇。
　　苴卻硯取材于當(dāng)?shù)鬲?dú)特的紫黑色砂巖，以其天然繁復(fù)的石紋著稱。這些石紋包括狀若眼瞳的同心圓“石眼”，以及宛如流云或漣漪的旋渦紋路。每一方苴卻硯都是獨(dú)一無二的藝術(shù)珍品，既得天地造化，又經(jīng)匠心雕琢。
　　制作一方苴卻硯需要投入極大的精力與耐心。匠人們秉承古法，運(yùn)用簡(jiǎn)樸的工具，歷經(jīng)數(shù)周甚至數(shù)月的時(shí)間進(jìn)行雕刻、打磨和精修。這個(gè)過程不僅需要精湛的技藝，更需要對(duì)材料的深刻理解，以確保成品既美觀又實(shí)用。一方優(yōu)質(zhì)的苴卻硯觸感細(xì)膩，石質(zhì)溫潤，是研墨的理想工具。它能使墨汁保持濕潤，久不干涸，從而讓書畫家的筆觸流暢均勻。
　　苴卻硯的價(jià)值遠(yuǎn)超其實(shí)用功能，承載著深厚的文化內(nèi)涵。它延續(xù)著中國文人的傳統(tǒng)，研磨墨錠的過程本身即創(chuàng)作前沉心靜氣的儀式。如今，它依然是攀枝花城市身份與藝術(shù)精神的象征。隨著現(xiàn)代科技的發(fā)展，保護(hù)這項(xiàng)傳統(tǒng)工藝顯得尤為重要，只有如此，才能確保苴卻硯的沉靜優(yōu)雅繼續(xù)啟迪后世。
　?。ㄖ笇?dǎo)教師：成都樹德中學(xué)寧夏校區(qū) 鐘焜）