來源：設(shè)計(jì)先鋒隊(duì)（ID:toot8448）

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Interpreting this building standing on the Pacific coast of Mexico from an artistic perspective, it is clearly a condensed narrative of tropical ecology and humanistic philosophy. The result of a decade of research by AMEZCUA Architecture, between the beach and coconut grove of Brisas de Zicatela, a cross-shaped layout unfolds a declaration on sustainable living - the 1,200-square-meter building complex is like an organic life growing on 600 square meters of land, 12 60-square-meter suites and 120-square-meter apartments are arranged along the axis, and the 480-square-meter green courtyard is embedded in the space like breathing, making every floor-to-ceiling window a frame for capturing the sea view.

用藝術(shù)視角解讀這座矗立于墨西哥太平洋海岸的建筑，分明是熱帶生態(tài)與人文哲思的凝練敘事。AMEZCUA 建筑事務(wù)所耗時(shí)十年研究的成果，在 Brisas de Zicatela 的沙灘與椰林之間，以十字形布局展開一場關(guān)于可持續(xù)生活的宣言 ——1200 平方米的建筑群如同生長在 600 平方米土地上的有機(jī)生命體，12 間 60 平方米套房與 120 平方米公寓沿軸線排列，480 平方米的綠色庭院如呼吸般嵌入空間，讓每一扇落地窗都成為框取海景的畫框。

The building facade is made of black fiber cement board, which reproduces the Japanese Shou Sugi Ban burning cedar craft. The wood grain texture casts shadows of varying depths under the scorching sun on the coast, which not only echoes the traditional fire prevention wisdom, but also resists salt spray erosion with modern materials. Walking into the room, the anti-corrosion treated pine beams are exposed like bones, forming a rigid and soft dialogue with the polyurethane insulation layer in the fiber cement wall. The first ray of sunlight in the morning passes through the high-performance glass windows, casting diamond-shaped spots on the polished concrete floor. When walking barefoot, you can feel the subtle coolness of the material due to the temperature difference. It is the building's gentle response to the tropical climate. The cleverness of the cross-shaped structure lies in the elimination of the shared walls between the suites. The sea breeze can pass through the hall from four directions, accompanied by the rustling sound of palm leaves in the courtyard, becoming the flowing background music in the space.

建筑立面以黑色纖維水泥板復(fù)刻日本 Shou Sugi Ban 燒杉工藝，木紋肌理在海岸烈日下投下深淺不一的陰影，既呼應(yīng)著傳統(tǒng)防火智慧，又以現(xiàn)代材料抵抗鹽霧侵蝕。走進(jìn)室內(nèi)，經(jīng)過防腐處理的松木梁架如骨骼般裸露，與纖維水泥墻體內(nèi)的聚氨酯保溫層形成剛?cè)釋υ? —— 清晨的第一縷陽光穿過高性能玻璃窗，在拋光混凝土地面上投下菱形光斑，赤腳走過時(shí)能感受到材料因溫差產(chǎn)生的細(xì)微涼意，那是建筑對熱帶氣候的溫柔回應(yīng)。十字形結(jié)構(gòu)的巧妙之處在于消除了套房間的共享墻壁，海風(fēng)可從四個(gè)方向穿堂而過，伴隨著庭院里棕櫚葉的沙沙聲，成為空間里流動的背景音樂。

The 120-square-meter multi-functional space is the emotional hub of the entire building. In the morning, yoga mats are spread out in front of the floor-to-ceiling windows, and practitioners' breathing is synchronized with the waves in the distance; in the afternoon, the copper bar reflects the sunlight, and digital nomads are typing on keyboards at the long table, with the endless sea view framed by the transparent glass wall behind them; when night falls, the smoke from the barbecue area interweaves with the stars reflected in the swimming pool, and the warm touch of the wooden benches allows strangers to talk naturally. This design that combines work, socializing, and resting breaks the closedness of traditional houses - when someone plays guitar on the terrace, the music will float to every corner along the open corridor, becoming an impromptu episode of community life.

120 平方米的多功能空間是整座建筑的情感樞紐。清晨，瑜伽墊在落地窗前鋪展，練習(xí)者的呼吸與遠(yuǎn)處海浪同步；午后，銅制吧臺折射著陽光，數(shù)字游民在長桌前敲擊鍵盤，背后是通透的玻璃墻框住的無垠海景；夜幕降臨時(shí)，燒烤區(qū)的煙火氣與泳池倒影里的星辰交織，木質(zhì)長凳的溫潤觸感讓陌生人的交談自然發(fā)生。這種將辦公、社交、休憩熔于一爐的設(shè)計(jì)，打破了傳統(tǒng)住宅的封閉性 —— 當(dāng)某戶人家在露臺上彈奏吉他，樂聲會順著開放式走廊飄向各個(gè)角落，成為社區(qū)生活的即興插曲。

The building's sustainable concept is hidden in every detail: the rainwater collection system on the roof is as dense as capillaries, transforming tropical rainstorms into nourishment for the green plants in the courtyard; the water source recycled and purified by the water treatment plant reflects the blue of the sky and the black of the building in the swimming pool; native plant communities spread along the base of the building, lizards shuttle on the gravel paths, and hummingbirds land among local flowers. Architect Julio Amezcua once said: "Architecture should respect and sublimate the place", and this concept is particularly moving at dusk - when the sunset gilds the black facade, the residents read in the hammocks swinging on the terrace, the sound of the sea breeze turning the pages of the book interweaves with the cheers of the surfers in the distance, and the building is no longer a cold container, but a carrier of time that carries the memories of coastal life.

建筑的可持續(xù)理念藏在每一個(gè)細(xì)節(jié)里：屋頂?shù)挠晁占到y(tǒng)如毛細(xì)血管般密布，將熱帶暴雨轉(zhuǎn)化為庭院綠植的滋養(yǎng)；水處理廠循環(huán)凈化的水源，在泳池中映出天空的藍(lán)與建筑的黑；原生植物群落沿著建筑基座蔓延，蜥蜴在礫石小徑上穿梭，蜂鳥停駐在本地花卉間。建筑師 Julio Amezcua 曾說：“建筑應(yīng)尊重場所并使之升華”，這種理念在黃昏時(shí)分尤為動人 —— 當(dāng)夕陽為黑色立面鍍上金箔，住戶在露臺搖晃的吊床上閱讀，海風(fēng)翻動書頁的聲響與遠(yuǎn)處沖浪者的歡呼交織，此時(shí)的建筑不再是冰冷的容器，而是承載著海岸生活記憶的時(shí)光載體。

From Japanese shochu craftsmanship to Mexican tropical style, from the cross-shaped spatial wisdom to the ecological logic of rainwater circulation, KINEKI La Punta tells a story about balance in architectural language: between the privacy of 12 suites and the openness of shared courtyards, between the durability of modern materials and the warmth of handcrafts, between the commercial needs of tourism development and the responsibility of ecological protection. When the last ray of twilight sinks into the Pacific Ocean, the black fiber cement board on the facade of the building gradually merges with the night sky, and only the lights in the courtyard are scattered like stars - this is the poem that AMEZCUA dedicated to the Oaxaca coast, making living an art of living in collaboration with nature.

從日本燒杉工藝到墨西哥熱帶風(fēng)情，從十字形的空間智慧到雨水循環(huán)的生態(tài)邏輯，KINEKI La Punta 用建筑語言講述著一個(gè)關(guān)于平衡的故事：在 12 間套房的私密與共享庭院的開放之間，在現(xiàn)代材料的耐用性與手工工藝的溫度之間，在旅游開發(fā)的商業(yè)需求與生態(tài)保護(hù)的責(zé)任之間。當(dāng)最后一縷暮光沉入太平洋，建筑立面的黑色纖維水泥板漸漸與夜空融為一體，唯有庭院里的燈光如星辰散落 —— 這是 AMEZCUA 獻(xiàn)給瓦哈卡海岸的詩，讓居住成為一種與自然共謀的生活藝術(shù)。

編輯：夏邊際

撰文：豆寶寶

校改：吳一仁

編排：布忠耀

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